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Art Writing / Curatorial Projects
About
Selected Books and Exhibition Catalogues
In Land
In Land
Group Exhibitions
Transient Space
Mythologies
Home Lands - Land Marks Contemporary South African Art
Mixed Media
Blow Up: Painting, Photography and Reality
The Observer
Dialogues: New Paintings from London
Ledger Lines: Abigail Reynolds, Sophy Rickett, Michelle Stuart
Black Light
Uncommon Ground: Land Art in Britain 1966-79
Transmission: Adam Dix, Alex Hoda, Katie Paterson
Teaching Art & Life: Cedric Morris & Lett Haines
The Forest
Group exhibitions index
Texts I: Essays and Short Texts
Texts I: Index
Fake News / Foreign Bodies
Cobwebs and Curiosities, Serpents and Skulls
Sanam Khatibi 'Pretty Stories and Funny Pictures'
Silke Otto-Knapp
About Looking: An Introduction to the Art of Al Taylor in Five Easy Pieces
In the Library of Babel
Cracked Narratives
Chinese Whispers, English Echoes, Korean Ghosts
Black Paintings
Northern Light
Andrew Grassie: New Hang
Displacements: The Art of Prunella Clough
Power and Beauty: The Prints of Colin Self
Hynek Martinec Always Present
Strange Moments
Another Country
Frank Stella: Connections
'The walls of the gallery were splattered with blood': The Portraits of Cedric Morris
Painting Facts: The Art of Karl Weschke
Zen and The Art of Painting
Blind Spots
Fred Sorrell: Weaving Light
Texts II: Interviews
Texts II: Index
Stupid Like a Painter
Texts III: Reviews
Texts III: Reviews Index
Art and Mountains Conquistador of the Useless
Morandi and His Time / Paintings from the Giovanardi Collection
Kangchenjunga: Imaging a Himalayan Mountain
Dear Painter
What can a sculpture be?
Great Piece of Turf
Lectures / Papers / Conversations
Lectures / Papers / Conversations Index
Interviews
Interviews Index
Ben Tufnell
What can a sculpture be?
‘United Enemies: The Problem of Sculpture in the Britain in the 1960s and 1970s’, Henry Moore Institute, Leeds
PICPUS #8 Spring 2012
